- « kdi dctb 208 [g] » : live, Club Zho 81, Perth (Aus.), 26/07/2008 ;
- « kdi dctb 208 [f] » : live, Arts House North Melbourne Town Hall (Aus.), 18/07/2008 :
- “At one point I feared rather desperately that I was losing my mind, the next I felt lulled into the most perfect of visions and thoughts. It (toy.bizarre) was something quite incredible.” – Steve Phillips reviewing Liquid Architecture 9 (Melbourne), Beat Magazine July ;
- “French artist Cedric Peyronnet’s was also a standout performance, masterfully combining field recordings from the French countryside to create surreal atmospheres, building to levels of high intensity and energy.” – Simon Charles reviewing Liquid Architecture 9 (Melbourne), RealTime issue #87 ;
- « kdi dctb 208 [e] » : live, Powerhouse, Brisbane (Aus.), 5/07/2008 ;
- “With a peculiarly engaging stage presence for a laptop performance, Cedric Peyronnet paced and swayed behind his equipment, silently (?) singing along, giving the performance an oddly hermetic feeling, as if the audience was privy to only some aspects of the work.” – Joe Musgrove reviewing Liquid Architecture 9 (Brisbane), Paris Transatlantic Magazine ;
- « kdi dctb 208 [a] » : live, Bordeaux, CAPC Musée d’art contemporain
- « kdi dctb 208 [g] » : live, Club Zho 81, Perth (Aus.), 26/07/2008 ;
- « kdi dctb 208 [f] » : live, Arts House North Melbourne Town Hall (Aus.), 18/07/2008 :
- “At one point I feared rather desperately that I was losing my mind, the next I felt lulled into the most perfect of visions and thoughts. It (toy.bizarre) was something quite incredible.” – Steve Phillips reviewing Liquid Architecture 9 (Melbourne), Beat Magazine July ;
- “French artist Cedric Peyronnet’s was also a standout performance, masterfully combining field recordings from the French countryside to create surreal atmospheres, building to levels of high intensity and energy.” – Simon Charles reviewing Liquid Architecture 9 (Melbourne), RealTime issue #87 ;
- « kdi dctb 208 [e] » : live, Powerhouse, Brisbane (Aus.), 5/07/2008 ;
- “With a peculiarly engaging stage presence for a laptop performance, Cedric Peyronnet paced and swayed behind his equipment, silently (?) singing along, giving the performance an oddly hermetic feeling, as if the audience was privy to only some aspects of the work.” – Joe Musgrove reviewing Liquid Architecture 9 (Brisbane), Paris Transatlantic Magazine ;
- « kdi dctb 208 [a] » : live, Bordeaux, CAPC Musée d’art contemporain